Discover our selection of vintage and out of print books

FICTION

Cover of the book 'Bad Habit' by Alana S. Portero, featuring a profile of a woman with blonde hair and red lipstick, with a red and orange background.
Book cover of 'The Children' by Charlotte Wood, featuring a misty landscape with a tree, a hanging branch with leaves, and a bird in the foreground.
Book cover titled 'Long Live the Post Horn! A Novel' by Vigdis Hjorth, featuring a person in a light blue shirt with their hand on a landline telephone, a framed photo of a woman, and a painting of a modern building in the background.
Book cover of 'Under the Skin' by Michel Faber, featuring a dark night road scene with a car's rearview mirror reflecting the road behind and a quote from The Times.
Book cover of 'Shhp Fever' by Andora Barrett, featuring illustrations of purple and reddish berries on green leafy stems with a textured yellow circle in the bottom left corner.
Cover of the book "Summer Lies" by Bernhard Schlink, featuring a black and white photograph of a hand holding a bouquet of flowers.

NON-FICTION

Book cover of 'A Horse at Night' by Amina Cain, featuring abstract color blocks in red, blue, yellow, and black with a small image of a horse and landscape.
Book cover titled "Nature's Workshop: Renoir's Writings on the Decorative Arts" by Robert L. Herbert, featuring a painting of two nude women standing in a frame.
Book cover titled 'Mad, Bad and Sad: The History of Women and the Mind Doctors from 1800 to the Present' by Lisa Appignanesi, featuring a silhouette of a woman's head and shoulders in profile against a dark background.
Book cover titled "Women Writers at Work" with a stylized illustration of a woman's face in profile, featuring dark hair, red lips, and a beige complexion, set against a red background.
Book cover featuring a black-and-white photo of a woman at the top, the book title 'What There Is to Say We Have Said,' and a black-and-white photo of a man at the bottom, with text indicating it's a correspondence between Eudora Welty and William Maxwell, edited by Suzanne Marrs.
Book cover of 'No One Can Write Like Maria Tumarkin' by Luke Maria Tumarikin, with a pink and purple gradient background and large white and pink text.

VINTAGE & OUT OF PRINT

Drawing of a young man with short curly hair and a serious expression, with the text 'Red Shelley' and 'Paul Foot' above and below.
Book cover of 'Not After Midnight' by Daphne du Maurier featuring an illustration of a vessel with a face resembling a lion or mythical creature.
Book cover titled "DEADLY VIRTUES" by Francois Camoin with an abstract painting of a landscape scene in green, blue, and earth tones.
Book cover for 'Loving Bret' by Elaine Feinstein, featuring an abstract painted portrait of a person's face with glasses.
Cover of a book titled 'Kenilworth' by Sir Walter Scott, featuring an illustration of a man and a woman in medieval attire inside a castle with stained glass windows.
Book cover titled 'On the Japanese Classics: Conversations and Appreciations' by Daisaku Ikeda, featuring a traditional Japanese artwork with a woman in kimono.

POETRY

Book cover for 'The Hotel Oneira' by August Kleinzahler, with a blue background and yellow to white text.
Cover of a book titled 'New Women Poets,' edited by Carol Rumens, featuring a close-up portrait of a woman with a bald head.
Book cover for 'Kid' by Simon Armitage with a yellow and red patterned background and three figures juggling with colorful objects.
Book titled 'Flow Chart: A Poem' by John Ashbery, with abstract illustrations and geometric shapes, including wheat stalks and a circular wheel design.
Book cover titled 'The Colossus and Other Poems' by Sylvia Plath with a striped blue and orange design.
Book cover for 'Flame Tree,' with an illustration of a large red tree on a grassy field.
Book cover titled "Living by the Word" by Alice Walker. It features a black and white photograph of Alice Walker in the center, with a beige background and decorative borders on the left and right sides. The cover also states "Selected Writings 1973-1987".

Some Blue

Embracing choice but not risking the rash, how to best curate some loved-with-use stock for the online shop. And while there are no secrets, there are attachments. That I’ve paused. And paused again it’s a wonder I’m up and running at all.